we have very pleasant news for those of you who are frequently rendering on remote machines using Mental Ray Satellite that are connected and controlled from a Maya or 3ds Max plugin:
The Mental Ray Standalone does not require a license anymore. It is completely free to use on any number of machines.
This is a great extension for users of the Mental Ray plugins who depend on network-distributed rendering for more rendering throughput. It is also lifting any restrictions for usage in a render farm when running from the command-line or managed by a render job manager like Backburner.
What is Mental Ray Satellite rendering?
Unlike starting separate render jobs in a render farm, the Satellite rendering mode allows to connect remote machines in the internal network to your main Mental Ray rendering engine, so that they take over the heavy part of rendering the image or animation without stressing your main machine, which is already busy running your DCC tool. You can continue working with Maya or 3ds Max in the usual way, since Mental Ray is handling the data distribution and network communication under-the-hood. Naturally, the network speed and machine configurations have great impact on the overall experience and a fluent workflow.
In Maya, the satellite mode can be enabled selectively for preview rendering in Render View, and also for batch rendering in the background. However, progressive rendering is not supported in this distributed mode. That makes it less useful in the interactive viewport rendering with Mental Ray, although it’s generally possible to enable it there too. You have the option to let Satellites do ALL the rendering remotely, freeing your main machine from any rendering load (perfect for a background batch render), or set them to contribute to the main rendering as needed (like for a quick preview render).
Otherwise, there are no limitations on the number of machines or CPU cores that can be utilized, different to the original Satellite mode in Autodesk products. However, technically, the overall benefit for rendering may decrease at some point when too many remote machines need to be synchronized over a potentially occupied network.
This latest Mental Ray Standalone can also be used from the command-line, of course, now without any restrictions and no licensing setup.
Please download the new installers below for your platform. We provide versions that are compatible with Maya 2018 and 3ds Max 2018 Mental Ray. We have no plans to upgrade to later versions of Maya or 3ds Max.
after decades of supporting the rendering community worldwide, the NVIDIA ARC Forum will go out of service, unfortunately, including all of its mental ray sections. That does not mean its vast valuable content is lost, but we will stop hosting it on the original website location.
For those of you who are searching for the download links of the free Mental Ray software, which we did publish in the forum as well, here you are. We include a copy of the text of the original announcement followed by all the links to the pieces of software.
The version 1.2 update of the NVIDIA Mental Ray for Maya and NVIDIA Mental Ray for 3ds Max plugins, and the corresponding Mental Ray Standalone distributions are based on the latest major mental ray version 3.14.5.
This software update introduces support for NVIDIA’s Volta GPU generation, and is based on CUDA 9. It will continue to work with the older GPU generations Pascal, Maxwell, and Kepler. The update also fixes a lot of known issues, and improves rendering performance especially for GI Next. Note, the plugin works in Maya 2018.5 dot release too.
Please note, the plugins are free to use for interactive rendering and rendering of still frames from within Maya or 3ds Max. The rendering of animations with Maya Batch, Backburner or Mental Ray Standalone will ask for a license though.
we have created a new build of the NVIDIA Mental Ray for Maya plugin, version 1.2.1. The primary purpose of this update is to fix a problem with the original installer, which stopped working with latest NVIDIA driver installers on Windows. At the same time, we also addressed few minor issues in the plugin itself, and in the Mental Ray core engine.
You can download the new version from our Mental Ray for Maya Forum for Linux, Windows, and Mac. This update is not auto-distributed through the NVIDIA Professional Application Center this time.
We would appreciate if you let us know that it works for you.
For all users and lovers of mentalray and Mental Ray (as we used to call it lately),
in case you did not notice, I have sad news: we stopped selling NVIDIA Mental Ray and the related Autodesk Maya and 3ds Max plugins end of last year. For details see Mental Ray and Iray product updates.
Fortunately, those of you who purchased licenses from us, don’t worry, you can continue to use your Mental Ray product for as long as you wish. You are eligible to convert your licenses to perpetual, just contact us by email as mentioned in the FAQ above. The same is true for schools and institutions who have registered in our Mental Ray EDU program. It’s worth to note, that the perpetual licenses are free-of-charge, and therefore do not include any support.
Even if you happen to have no license, you can still freely use the Mental Ray plugins for interactive rendering in Maya and 3ds Max, like with Maya IPR and 3ds Max ActiveShade, as well as for rendering final quality still frames in Maya’s Render View and in the Rendered Frame Window of 3ds Max.
The plugins are essential if you want to load legacy mentalray scenes in recent Maya 2017/2018 or 3ds Max 2018, to render them, or to convert them to an alternative engine, at least. But more generally, you may use Mental Ray to learn all the fundamental rendering and lighting techniques like ray tracing, global illumination, image-based lighting and much more, from the software that was/is the defining standard for a lot of these features. The plugins offer the full functionality of Mental Ray no matter if you have a license or not.
To unlock rendering of animations with Maya Batch or Backburner or Mental Ray Standalone, you need a license. We are open to giving out licenses to cover your critical and ongoing Mental Ray projects. Just let us know.
We just released a major update of the NVIDIA Mental Ray for Maya plugin, introducing support for the upcoming Volta GPU generation from NVIDIA using CUDA 9. If you are a user of this plugin then you should have received a notification from the NVIDIA taskbar tool. You may also download the latest version from our mental ray for Maya website.
We now introduce: Mental Ray for Maya 2018.
This is the first release of the NVIDIA mental ray plugin for Maya 2018, coupled with the matching NVIDIA mental ray Standalone. For release notes and download locations please visit our forum at Now Available: Mental Ray for Maya 2018.
Note the new mental ray section. All lights below the line are mental ray lights.
Convenient Creation of Maya Area Light
The Physical Area Light is a Maya Area Light set up using the mila_light shader, for best operation with Layering (MILA) materials.
By default, the settings are as follows:
Physically-based falloff (Light Decay is Quadratic)
Shapes supported by mental ray (Light Shape Type is Rectangle)
Intensity connected to the mila_light
Color connected to the mila_light, supporting textures
Scene scale matters
The Physical Area Light has physically-based falloff (Light Decay is Quadratic) so the intensity of the light compared to the scene scale matters. It is the number one reason we find when troubleshooting a physically-based scene that renders black or dark. Take the following example.
A default polygon plane is created on the default grid.
The plane is scaled up to the size of the default grid.
A Physical Area Light is created and moved to 4 units above the plane.
Then rendered, noting that the default intensity of the light is 100.
Now the light is moved to 10 units above the plane.
Rendered. And barely lighting this plane, so more than that requires more light intensity.
Also, the size of the area light matters.
A flashlight can light up a baseball, but it cannot light up a baseball field. This kind of thinking has to start informing your lighting decisions. But once you get used to it, it may actually help you work more efficiently to produce realistic lighting results.
With Light Importance Sampling (LIS) on, the area light Samples settings are ignored, and quality of direct lighting can be more easily controlled with the Lighting Quality setting in the Quality tab of the Render Settings. This is especially useful for scenes with many lights.
Because the Physical Area light automatically uses the texture-able mila_light shader, one can set the input for the light Color with a Maya File node. By the way, we also updated the physical_light to be able to use textures, but now the mila_light is preferred, as it will evolve with the physical area light.
Example using an HDR textured rectangular area light. The intensity multiplier scales the values whether they are HDR or LDR. It’s just a multiply of whatever the texture returns. In other words, the texture is not normalized before multiplication.
Spot edge falloff
The physical area light defaults to use a point light output pattern over the surface area of the light. In order to use a more spot-like falloff for the edges of the area, we need to adjust the area light. To do this, change the light type of your Physical Area Light from Area Light to Spot Light. It is still a Physical Area Light because it uses the light shape. The mila_light shader remains hooked up to the color and the intensity.
We are now beta testing Pi-ray, our exciting new version 3.14 of mental ray, within Maya 2016, in a private mental ray For Maya beta test. If you are interested, please email firstname.lastname@example.org, with your beta test request. Please state your company, how you use mental ray, and your machine configuration. In addition to registering in our forum, you need to have Maya 2016 and the mental ray for Maya 2016 plugin installed before installing the beta plugin.
The following image is rendered with the latest global illumination (GI) algorithm in 3.14. Enter the beta test to find out some great things about the latest GI.
We recommend physically-based materials and lights to fit a modern workflow. In this post, we focus mostly on the materials, and we will follow-up with more posts on lights. These materials are designed to work more compatibly with unified sampling, and the simpler UI quality controls. They provide the flexibility of balance in adjusting global vs. local sampling quality controls.
The Layering (MILA) material not only provides better compatibility with unified sampling and quality controls, but it also provides simple passes which can help you to adjust the quality settings.
For example, this interior scene using mila materials clearly demonstrates the difference between direct and indirect lighting. The left picture has no indirect diffuse lighting as it is turned off in the Render Setting Quality tab, and the right picture has Indirect Diffuse (GI) Mode turned On with a depth of 4. Note that the 2 pictures below are organized in a gallery, so that if you click on them, you can see a larger version. Click on x upper left to get back to this page.
The direct lighting quality is controlled with Lighting Quality, while the indirect quality is controlled with Indirect Diffuse Quality when Indirect Diffuse (GI) Mode is On.
If using mila_materials, we can easily turn on the direct_diffuse and the indirect_diffuse passes in the Scene tab under Camera>Passes.
Then, we can see the relationship between the pass results with respect to their quality. Note again that the 4 pictures below are organized in a gallery, so that if you click on them, you can see a larger version, and step through each with a right, left arrow.
Below we increase the Indirect Diffuse (GI) Quality to reduce noise in that pass.
Adjusting (MILA) Material Quality
Use the (MILA) Material Quality to address noise caused by the material sampling. For the layering library (MILA) materials with either glossy reflection/transmission or scatter components, the Material Quality controls the number of samples, ie the outgoing rays split out from the interaction of the material with an incoming ray. In a sense, this is the indirect quality aside from the indirect diffuse, i.e., the indirect glossy and scatter components.
When AdvancedSettings are on, we provide separate Glossy Quality and Scatter Quality controls in case the noise differs significantly between these components. Note that the material quality settings are relative, so controlling Material Quality will continue to control both glossy and scatter quality. The material quality is multiplied by glossy or scatter quality to determine a quality for each respective component, with all defaults at 1.0.
Note that the passes for indirect glossy/specular and scatter directly correlate in quality to these settings.
Increasing Glossy Quality
Increasing Scatter Quality
Scene Settings Shared across Materials
Note that for the MILA shaders, we provide quality settings by scene. In other words, all the materials in the scene share the settings. This makes it easier to control in a typical scene with many materials, rather than per-shader. It also allows the renderer implementation to optimize better.
Besides quality, we have several other useful render settings that are shared by the mila materials. They are in the Scene tab in the Materials section.
Reducing very high dynamic range results
MILA Clamp Output
Clamps the output of mila_material. This is an enable, for using the clamp level. If off, light transports through the scene in the most physically-accurate way, though with high dynamic range lighting, more quality may be required. The default is off.
MILA Clamp Level
The level used for clamping, typically between 1 and 10, based on desired output.
Understanding internal reflection
When making a material to model colored glass, not only do transmission paths inside the glass need to be colored, but also, if one of those paths reflect inside the glass again (internal reflection), it should be colored. Depending on your scene, this may be more or less subtle of an effect visually.
A material with a reflection component could be on the outside or the inside, so the max distance parameter for a reflection component needs information as to whether it is modeling physically-correct internal reflection, or modeling the legacy max distance render trick for the external reflections. We recommend using colored max distance primarily for internal reflection, when combined with a transmission component, and therefore, make this the default.
MILA Use Max Distance Inside
Use the max distance for reflection internally for colored glass. On is the default. If off, the max distance is used for external reflections, those bouncing off the outside of an object, instead of internal reflections.
Scatter look adjustment
Modern rendering uses more quantities that depend on scene units, such as the distance to scatter with mila_scatter. In the Materials section of the Scene tab, we provide a global scaling factor for scatter distances.
MILA Scatter Scale
The MILA Scatter Scale is very convenient for re-using materials across different size scenes. It multiplies by the local scale control, if exposed, in the (MILA) scatter component. Below we show how increasing the scale makes the scatter pass look more like the diffuse pass, with less and less scattering.
For practically good results the scatter pass should look barely noticeable when mixed in with all the other passes.
Layering complexity not a significant performance factor
At SIGGRAPH 2015, I noticed how many users were still concerned that the number of layers in a material may affect performance. For modern materials, such as MILA and MDL, this should not be of concern. The elemental component structure provides the renderer with this ability. The material can either be selectively sampled or flattenend for a single minimal BSDF representation, and as the depth of a ray increases, more optimizations can occur.
Use physically-based mental ray lights such as the Physical Area or Environment lights. See Create>Lights>mental ray section
All lights in this section default to quadratic falloff for physically-based lighting, and compatibility with the modern techniques including Light Importance Sampling (LIS). With LIS, the Lighting Quality can be used for direct lighting quality.
In our next post, we will introduce the Physical Area Light, and in another post we will provide more detail for the Object Light, which is a special case of the Physical Area Light assigned to an object for emission. We will also provide a post on how to use the newly packaged Environment Lights.